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Bortniansky, Dmitry
BORTNIANSKY, Dmitry Stepanovich (b. 1751, Glukhov, Ukraine; d. 28 September [10 October] 1825, St. Petersburg) — received his musical education in the Preparatory Musical School in Glukhov, then, from the age of seven, at the Imperial Court Chapel in St. Petersburg. Studied composition with B. Galuppi, and when Galuppi returned to Italy in 1768, Bortniansky was sent with him in order to continue his studies. Spent eleven years abroad; three of his operas were produced in Italy. At the same time wrote his first sacred works, on Roman Catholic and German Protestant texts. Upon returning to Russia was appointed kapellmeister to the Imperial Chapel and to the Court of Prince Paul, the heir to the throne. In 1796 was appointed Director of Vocal Music, and in 1801, Director of the entire Imperial Court Chapel. As Director of the Chapel and as a composer, Bortniansky had an enormous effect upon church music in 19th-century Russia. As an administrator, he expanded the influence of the Imperial Chapel far beyond the Court itself, making it the trendsetter in terms of style and taste in church singing throughout the land. Bortniansky was the first director of the Chapel who was given the right of censorship in the field of church music, a circumstance that greatly affected the direction of church music in the 19th century. Bortniansky’s sacred works, including 72 liturgical hymns (26 of them for double chorus), 45 sacred concertos (10 for double chorus), 10 Te Deum’s, the Liturgy for three voices, and eight sacred trios, were universally performed throughout the entire 19th century; many of them are sung in churches to this day. Bortniansky’s music combines elements of classicism and sentimentality, using techniques of the early classical European style. While he uses elements of Russian and Ukrainian secular song in his sacred works, he nevertheless does not exceed the limits of sobriety and good taste appropriate for the Orthodox liturgy. Bortniansky was one of the first Russian students of the Italians to turn his attention to the traditional church chants, attempting to arrange several of them polyphonically.
External link
https://www.culture.ru/catalog/tchaikovsky/ru/item/archiv/d-s-bortnyanskiy-polnoe-sobranie-duhovno-muzykalnyh-sochineniy-10-koncertov-dlya-dvuh-horov-gimny-i-chastnye-molitvyhttp://www.pravenc.ru/text/153235.html
146 results found
Blazhen muzh boiaisia Gospoda. Iz 111 i 131 psalmov
Blessed Is the Man Who Fears the Lord (from Ps. 111 and 131)
SSATTB
No. 242, pp. 321-325 in vol. Notnyi sbornik pravoslavnogo russkogo tserkovnogo peniia, vol. 1: Bozhestvennaia Liturgiia, London: 1962
Printed edition
5
Sb-LonBL-242
Cherubic Hymn
Izhe kheruvimy
Let us who mystically represent the cherubim
SATB
No. 16, pp. 23-24, in vol.: Sbornik dukhovno-muzykal'nykh pesnopenii raznykh avtorov, dlia nebol'shogo smeshannogo khora, pod redaktsiei E. S. Azeeva, No. 1, Na Liturgii, P. Kireev, 1912.
Printed edition
From Bortniansky's 3-voice Liturgy. Arranged by M.A.V. for 4 voices.
2
Sb-PK001-16
Polnoe sobranie dukhovno-muzykal'nykh sochinenii , vol. 1b: Trekhgolosnaia liturgiia
Complete collected sacred choral works, vol. 1b: Liturgy for Three Voices
S. Op.9
Selected unchanging hymns from the Divine Liturgy of St. John Chrysostom
SSB
n.p., n.d.
Early printed edition
14
Bo009-015
7
No. 7 - Khvalite Gospoda s nebes
Praise the Lord from the heavens
S. Op.9, No. 7
Communion Hymn for Sundays
SSB
2
Bo015
Polnoe sobranie dukhovno-muzykal'nykh sochinenii , vol. 1a: Trekhgolosnye sochineniia
Complete collected sacred choral works, vol. 1a: Compositions for Three Voices
S. Op.1-8
SSB
PPK, censor's date: 10 May 1850
Early printed edition
Defective original
47
Bo001-008
1
Eis polla eti [No. 1 and No. 2]
Many years to you, O master
S. Op.1
SSА Trio and SATB Chorus
3
Bo001
2
Da ispravitsia molitva moia No. 1
Let my prayer arise
S. Op.2
Prokeimenon at the Liturgy of Pre-Sanctified Gifts
SSА Trio and SATB Chorus
8
Bo002
3
Da ispravitsia molitva moia No. 2
Let my prayer arise
S. Op.3
Prokeimenon at the Liturgy of Pre-Sanctified Gifts
SSА Trio and SATB Chorus
7
Bo003
4
Da ispravitsia molitva moia No. 3
Let my prayer arise
S. Op.4
Prokeimenon at the Liturgy of Pre-Sanctified Gifts
SSА Trio and SATB Chorus
7
Bo004
5
Da ispravitsia molitva moia No. 4
Let my prayer arise
S. Op.5
Prokeimenon at the Liturgy of Pre-Sanctified Gifts
SSА Trio and SATB Chorus
7
Bo005
7
Arise, O God
S. Op.7a
In place of Alleluia at the Liturgy of Great and Holy Saturday
SSА Trio
7
Bo007a
8
Voskresni, Bozhe [No. 2] (To zhe v uproshchennom vide)
Arise, O God (the same in a simplified version)
S. Op.7b
In place of Alleluia at the Liturgy of Great and Holy Saturday
SSА Trio
5
Bo007b
Complete collected sacred musical works, vol. 2: Hymns from various Divine Services, for single chorus and double chorus
PJu #4710-38 1881
Printed edition ed. by P. I. Tchaikovsky
99
Bo016-045
12
Khvalite Gospoda s nebes No. 1
Praise the Lord from the heavens
S. Op.21
Communion Hymn for Sundays
Ps. 148:1
S(div)ATB(div)
4
Bo027
13
Khvalite Gospoda s nebes No. 2
Praise the Lord from the heavens
S. Op.22
Communion Hymn for Sundays
Ps. 148:1
SSATB Soli and SATB Chorus
3
Bo028
Complete collection of sacred musical works, vol. 3 - Hymns for divine services, for double chorus
PJu #4739-54 1882
Printed edition ed. by P. I. Tchaikovsky
104
Bo046-061
12
Raduitesia, pravednii, o Gospode
Rejoice in the Lord, O you righteous
S. Op.50
Communion Hymn for Saturday and for the Saints
Ps. 32[33]:1
SATB-SATB
8
Bo057
13
Iavisia blagodat' Bozhiia No. 1
The grace of God has appeared
S. Op.51
Communion Hymn for Theophany
Titus 1:11
SATB-SATB
4
Bo058
14
Iavisia blagodat' Bozhiia No. 2
The grace of God has appeared
S. Op.52
Communion Hymn for Theophany
Titus 1:11
SATB-SATB
4
Bo059
15
Iavisia blagodat' Bozhiia No. 3
The grace of God has appeared
S. Op.53
Communion Hymn for Theophany
Titus 1:11
SATB-SATB
5
Bo060
16
Iavisia blagodat' Bozhiia No. 4
The grace of God has appeared
S. Op.54
Communion Hymn for Theophany
Titus 1:11
SATB-SATB
6
Bo061




