Orthodox Sacred Music Reference Library

Gardner, Ivan

Gardner in beret

GARDNER, Ivan Alekseevich (1898-1984), known in the West as Johann von Gardner, was a unique and multi-faceted Russian musician and scholar, whose entire life, in one way or another, centered around Orthodox church music, Gardner was compelled to leave his homeland in 1920, living thereafter in Serbia (Yugoslavia), the Holy Land, Austria, and Germany. A portion of his life was lived under the name Philip, as a monk and later a bishop of the Russian Orthodox Church Outside Russia. Towards the end of World War II, he left the priesthood, and devoted his life to Orthodox church music as a choirmaster, composer, scholar, and publicist. As a researcher and author, he single-handedly carried the torch of scholarship in the field of Russian Orthodox liturgical music, at a time his compatriots in the Soviet Union were prevented from doing so by the Communist regime. He authored a major two-volume history of Russian church singing (the first part of which is available in English translation) as well as several hundred articles and monographs. In his writings he sought to continue, through historical investigation and scholarly argument, the movement initiated at the Moscow Synodal School of Church Singing—the attempt to return Russian liturgical music to its traditional Orthodox roots from which it had strayed in the 18th and 19th centuries under Western European influence.

Although Gardner’s contribution to this process as a composer is less known, he wrote over 100 sacred liturgical choral works, almost all of them based on authentic Znamenny, Demestvenny, Kievan and other chants. In his compositions he was in every respect a follower of the best traditions of the “New Direction” in Russian sacred choral composition—established by composers such as Kastalsky, Gretchaninoff, Chesnokov, Rachmaninoff, and others—using the full coloristic resources of the mixed choir in a rich palette of “choral orchestration.” Like many of the works of the Moscow School, Gardner’s compositionas and chant arrangements for the most part lay outside the capabilities of Russian émigré choirs, and thus remained unsung until recently. A fresh consideration of his works reveals Gardner to be an important composer whose creative legacy merits being incorporated into the mainstream corpus of the Orthodox sacred choral repertoire.

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Gd074

Sedalen voskresen. Glas 6-i

Resurrectional Sessional Hymn. Tone 6

Bulgarian Chant

At a Sunday All-Night-Vigil

S(div)A(div)T(div)B(div)

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 152, Berkeley, CA: The Orthodox Press, 1970.

Composition dated 1960.

2

Gd074

  • N157 263x 2b2

    LBS 157 - Gardner

Sede Adam priamo raia

Adam sat before paradise

Tone 6, Common Chant

"Glory" Sticheron at "Lord, I Call" on Cheesefare Sunday

S(div)AT(div)B

In pub. Voskresnoe Chtenie, No. 7, Warsaw, Poland, 1933.

Gd089

  • N157 263x 2b2

    LBS 157 - Gardner

Gd029

Simvol very

The Creed

I believe

Veruiu

S(div)A(div)T(div)B(div)

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 196, Berkeley, CA: The Orthodox Press, 1975.

Composition dated 1960.

6

Gd029

  • N157 263x 2b2

    LBS 157 - Gardner

Gd012

Slavoslovie velikoe

Great Doxology

Znamenny Chant

Glory to God in the highest

Slava v vyshnikh Bogu

SATB

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 180, Berkeley, CA: The Orthodox Press, 1973.

Composition dated 1973. The pub. Notnaia biblioteka pravoslavnogo khristianina, No. 190, 1973, contains the following publisher's note: "The Great Doxology setting of Znamenny Chant in a simplified harmonization, published by us under No. 180, was arranged by I. A. Gardner for a smaller choir and can sung in 1, 2, 3, or all 4 voice parts."

8

Gd012

  • N157 263x 2b2

    LBS 157 - Gardner

Gd061 068 source

Stepennye antifony vos'mi glasov

Gradual Antiphons in the 8 Tones

Znamenny Chant

At a Sunday All-Night-Vigil

S(div)A(div)T(div)B(div)

In pub. Dukhovno-muzykal'nye proizvedeniia I. A. Gardnera. Antifony stepenny. 8-mi glassov. Znamennogo raspeva, Jordanville, New York, USA: Holy Trinity Monastery, 1964.

Compositions dated: Tones 1, 2 – 1958, Tones 3, 5, 6, 7, 8 – 1959, Tone 4 – 1953.

15

Gd061-068

8 Click [+] to expand

  • N157 263x 2b2

    LBS 157 - Gardner

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Gd061

1

Stepennyi antifon. Glas 1-i

Gradual Antiphon. Tone 1

2

Gd061

  • N157 263x 2b2

    LBS 157 - Gardner

Gd062

2

Stepennyi antifon. Glas 2-i

Gradual Antiphons. Tone 2

3

Gd062

  • N157 263x 2b2

    LBS 157 - Gardner

Gd063

3

Stepennyi antifon. Glas 3-i

Gradual Antiphon. Tone 3

3

Gd063

  • N157 263x 2b2

    LBS 157 - Gardner

Gd064

4

Stepennyi antifon. Glas 4-i

Gradual Antiphon. Tone 4

2

Gd064

  • N157 263x 2b2

    LBS 157 - Gardner

Gd065

5

Stepennyi antifon. Glas 5-i

Gradual Antiphon. Tone 5

3

Gd065

  • N157 263x 2b2

    LBS 157 - Gardner

Gd066

6

Stepennyi antifon. Glas 6-i

Gradual Antiphon. Tone 6

3

Gd066

  • N157 263x 2b2

    LBS 157 - Gardner

Gd067

7

Stepennyi antifon. Glas 7-i

Gradual Antiphon. Tone 7

2

Gd067

  • N157 263x 2b2

    LBS 157 - Gardner

Gd068

8

Stepennyi antifon.Glas 8-i

Gradual Antiphon. Tone 8

3

Gd068

  • N157 263x 2b2

    LBS 157 - Gardner

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Stikhi pered shestopsalmiem

Verses before the Six Psalms

Znamenny Chant

Glory to God in the highest

Slava v vyshnikh Bogu

TTBB

Unpublished in composer's lifetime.

Manuscript dated 1959. First published in vol.: I. A. Gardner, Sobranie dukhovnykh sochinenii, San Francisco: Russky Pastyr’; Moscow: Zhivonosnyi istochnik, 2008.

Gd005

  • N157 263x 2b2

    LBS 157 - Gardner

Gd077

Stikhira na "Gospodi, vozzvakh" na Vozdvizhenie

Sticheron at "Lord, I have cried" for Exaltation

Tone 6, Kievan Chant, to the melody "Having set aside"

The Cross is raised on high

Krest vozdvizaem'

SATB

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 33, Berkeley, CA: The Orthodox Press, [n. d.]. Also, in ser. Notnaia biblioteka pravoslavnogo khristianina, No.55, Berkeley, CA: The Orthodox Press, 1962. Аlso, in ser. Tserkovno-khorovaia biblioteka: partitury dlia tserkovnogo khora, [no No.], Salzburg, Austria: Луч, [n. d.].

Composition dated 1951.

2

Gd077

  • N157 263x 2b2

    LBS 157 - Gardner

Gd078

Stikhiry na khvalitekh na Vozdvizhenie

Stichera at the Praises for Exaltation

Tone 8, Kievan Chant, to the melody "O most glorious wonder"

O most glorious wonder

O preslavnago chudese

S(div)A(div)T(div)B

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 158, Berkeley, CA: The Orthodox Press, 1971. Аlso, in ser. Tserkovno-khorovaia biblioteka: partitury dlia tserkovnogo khora, No. 1, Salzburg, Austria: Луч, [n. d.].

Composition dated 1950, 1957.

6

Gd078

  • N157 263x 2b2

    LBS 157 - Gardner

Gd086

Stikhiry po Evangelii na Bogoiavlenie

Post-Gospel Stichera for Theophany

Tone 2, Little Znamenny Chant

Let all things rejoice today

Vsiacheskaia dnes' da vozraduiutsia

SATB

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 171, Berkeley, CA: The Orthodox Press, 1972. Аlso, in ser. Tserkovno-khorovaia biblioteka: partitury dlia tserkovnogo khora, No. 11c, Salzburg, Austria: Луч, [n. d.].

Composition dated 1952.

1

Gd086

  • N157 263x 2b2

    LBS 157 - Gardner

Gd088

Stikhiry po Evangelii na Preobrazhenie Gospodne

Post-Gospel Stichera for the Transfiguration of the Lord

Tone 2, Little Znamenny Chant

All things have been filled with joy today

Vsiacheskaia dnes' radosti ispolnishasia

SATB

In ser. Notnaia biblioteka pravoslavnogo khristianina, No. 171, Berkeley, CA: The Orthodox Press, 1972.

Composition dated 1952.

1

Gd088

  • N157 263x 2b2

    LBS 157 - Gardner