Orthodox Sacred Music Reference Library

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Reference work(s)
7864 results found
A.
New Records
Russkaia mysl’ (Paris 1947-)
Newspaper Article
Russian
Issue No 1990
6
Saturday May 4, 1963
Russian artists; Secular music
Recordings on the CHANT DU MONDE label by David Oistakh and Lev Oborin as well as Rostropovich.
11813
A. B.
The Russian church in Liege <Belgium>
Russkaia mysl’ (Paris 1947-)
Newspaper Article
Russian
303
1950
4
Wednesday December 20, 1950
Denisov, Ivan K.; St Petersburg Quartet
role of N. I. Tsygankov, director of the choir and also a performance by the St Petersburg Quartet with I. Denisov (conductor), Kaidanov, Pashutin and Braminov
8157
A. B.
The Russian Youth Choir
Zarubezh’e (Munich)
Article in Journal
Russian
111
1967
12
4/1/1967
Znamenny Chant; Dreving
Names: Viktor Anatol'evich Drevin<g and 3 soloists Svetlana Landezen (Sopr), Aleksandr Shhlippe (sic?) (Bass) and Viktor Drevin<g (Baritone) St Seraphim's Choir
5804
A. B.
Vladimirskie torzhestva v Dzheksone
Festival of St Vladimir’s at Jackson NJ
Novoe Russkoe Slovo (New York 1910-)
Newspaper Article
Russian
1974
4
New York: Wednesday August 7, 1974
Secular Music-recheck; Paris: BN; Khaus or House?-USA; mention of the conductor Professor Chaus (recheck English spelling)
6326
A. C. B.
Russko-Amerikanskii Pravoslavnyi Vestnik (1896- )
Article in Journal
English
23
Kedroff Quartet; Kedrov, C.; Denisov; Kasakov, T. K.; Kedrov, N.
A large audience gathered at the Town Hall last night to hear the concert given by the Kedroff Quartet. That most of the hearers understood the Russian (sic) the singers used exclusively was manifested by the rapt attention given the majestic strains of the oening (sic) numbers, taken from the liturgy of the Eastern Orthodox Church and by the laughter that accompanied the closing number. "A Mother-in-Law had Seven Sons-in-Law, which was needlessly listed on the program as a "humerous song." I. K. Denisoff, the first tenor, was suffering from an incipient cold, but acquitted himself very well, while C.N. Kedroff, the basso, had his competent organ under full control for his important substructure, and N. N. Kedroff, baritone and T. K. Kasakoff, second tenor, were always helpful with their "inside" parts. The four were generous with encores, and were so wildly applauded at the end the offered Rimsky-Korsakoff's Bumble-Bee after they had smilingly sung "Good-night."
9980

A. G. M-ii
Nabroski. Po voprosu o dopustimosti v pravoslavnom bogosluzhenii uchastiia muzykal’nykh instrumentov
Sketches. On the question of whether musical instruments can be used in Orthodox divine services
Gusel’ki iarovchaty
Article in Journal
Russian
78
1912
1912
musical instruments in Orthodox worship
5470

A. G. M-ii
Nabroski. Po voprosam tserkovno-pevcheskogo dela
Sketches. On Church Singing
Gusel’ki iarovchaty
Article in Journal
Russian
0.4
1912
5469

A. G. M-ii
Neskol’ko slov po voprosu "Tserkovnosti" dukhovno-muzykal’nykh sochinenii
Some words on the topic of "churchliness" in religious music compositions
Gusel’ki iarovchaty
Article in Journal
Russian
1910
2-5; 3-6
1910
5748
A. G. M-ii
O dukhovnom kontserte A. N. Nikolova
Concerning the religious music concert of A. N. Nikolov
Gusel’ki iarovchaty
Article in Journal
Russian
56
1910
25-26
1910
Nikolov, Anastas; Bulgarian chant; sacred concert
5747
A. G. M-ii
The season of religious music concerts
Gusel’ki iarovchaty
Article in Journal
Russian
1911
1911
sacred concerts
5578